kvik – feeds

Posted by Kvik | 5",CDs,Releases | Sunday 20 December 2009 9:03 pm
Feeds

SADE 127 – KVIK – FEEDS – CDR – (For this third release on Brise-Cul, KVIK develops a more mature sound in my sense. This project, that is perhaps the most underrated in Montreal, explores more rythmic structures while keeping on the loud droney sound he’s been pleasing us with for a while. (slight grammatical edits by kvik)

A much different exploration of electronics in which feedbacks are manipulated in pulses and sometimes more complex rhythms. Synth drones complete the picture as background source. This album Attempts to package the sounds that have been the norm in KVIK ina different, perhaps more palatable, guise. These explorations remain with singular focus on the bleak, dark and melancholic spectrum of emotions that has been there from the beginning.

  1. Return Signal
  2. The Hand that Feeds
  3. Crack the Zero

On Brise-Cul Records

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kvik – untitled

Posted by Kvik | 5",CDs,Releases | Sunday 20 December 2009 9:01 pm

Image

  • ELKS
  • SLOP
  • DAM

On Germany’s L.IKE A.N E.VERFLOWING S.TREAM (www.myspace.com/extremtonanstalt) Please purchase a copy from them.

Ultra minimal synth-drone, probably the one that is the most minimal in the young discography. Three song recorded at different times so very different, different equipment and different textures, from each other except that they all have the singular cold and driven focus. Slow meditative drones that attempts at total immersion and require a certain amount of attention to get into. Not the easiest of my releases, and not because it is harsh this time, simply because it is easy to lose the focus and not go as deeply into it as one should to appreaciate completly. Still, very proud of the results and the artwork is really awesome, with professional printing and a large 7′”-sized sleeve.


http://myspace.com/extremtonanstalt

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Review @ HEATHEN HARVEST/ Issue 58 on April 15th, 2009

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Artist: Kvik Canada
Title: S/T
Label: Like An Ever Flowing Stream Germany
Genre: Noise / Drone / Ambient
Track Listing:
01 Elks
02 Slop
03 Dam
Kvik is Simon Thibaudeau, a Canadian drone/industrial/noise/ambient artist, and this release offers three tracks of somewhat varied noise/drone music. Each of the lengthy tracks evokes a somewhat different feel; Thibaudeau recorded them under quite different conditions and with varying equipment.
My overall impression of this release one of immersion, particularly for the first two tracks. Each develops and unfolds gradually, allowing us to gently dissolve into Kvik’s world of sound. Drone/noise can often be very harsh on the ears but with this release the oscillating tones are gentler, more forgiving. Closer to a purring cat than a band saw. The first two tracks combine more or less constant central drones, which pulse like the meaty backbone of the music, with more transient and ephemeral sounds which whisper past the ears quite subtly. The deployment of the supportive tones and sounds is very cleverly done – Kvik succeeds in creating both a sense of stable, circular absorption and a sense of movement and progression. We find ourselves in vast spaces (track one, “Elks”, uses reverb-laden minimal percussion to great effect in this regard) yet we are moving too, exploring. Noise can easily become directionless and pointless because really it’s damn hard to create an engaging, immersive experience with a limited palette. Kvik manages to walk the tightrope confidently, building drone choirs and harbouring motifs of crackle, dissonance and delay to good effect. Tonality is manipulated skilfully enough that at times I almost want to laugh – there is a spirit of play at work in this darkly atmospheric conjuration and I greatly appreciate its smirking wit.

The shrieking noises that invite us into the realm of track two, “Slop”, create some marvellously edgy intervals and evoke the atmosphere of one of those eerie old school space or horror movies.
The third track, “Dam”, is unfortunately somewhat weaker than the first two. There is a recurring sample of what sounds like a telephone ring tone and while the resemblance might or might not be intentional I found it somewhat broke the spell for me. I think the other reason it lets the album down is that the other two tracks have very strong trajectories, building and manipulating intensity in a very considered way. It’s a little like being rolled by ocean waves, albeit not in the most violent swell.”Dam” on the other hand is less embodied and feels more skeletal and uncertain about its direction. It is, however, a lot more subtle and subliminal than the other tracks, particularly in its opening strains, and this at least is a welcome digression. I should emphasise that these critical moments are certainly insufficient to justify writing off the release as a whole. I’m really digging it and though I haven’t had a chance yet to try it I think it will be a fantastic experience with headphones in a pitch black room. Definitely a good release for those interested in exploring the astral or their own ‘inner space’ – and genuinely hypnotic.

www.HeathenHarvest.com
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